Famous people with Gilles de la Tourette syndrome? : The many faces of Gilles de la Tourette syndrome
Identifieur interne : 000081 ( PascalFrancis/Corpus ); précédent : 000080; suivant : 000082Famous people with Gilles de la Tourette syndrome? : The many faces of Gilles de la Tourette syndrome
Auteurs : Francesco Monaco ; Serena Servo ; Andrea Eugenio CavannaSource :
- Journal of psychosomatic research [ 0022-3999 ] ; 2009.
Descripteurs français
- Pascal (Inist)
English descriptors
- KwdEn :
Abstract
Virtually no neurologist nor psychiatrist today can be unaware of the diagnosis of Gilles de la Tourette syndrome (GTS). Although the eponymous description by Dr. Georges Gilles de la Tourette was published in 1885, familiarity with this syndrome has been achieved only recently. In this article, the two most renown accounts of exceptional individuals retrospectively diagnosed with GTS are critically analyzed: British lexicographer Samuel Johnson and Austrian musician Wolfgang Amadeus Mozart. In both cases, clinical descriptions have been retrieved from written documents predating Gilles de la Tourette's original publication. The case for Samuel Johnson having GTS is strong, mainly based on Boswell's extensive biographical account. Johnson was reported to have a great range of tics and compulsions, including involuntary utterances, repetitive ejaculations, and echo-phenomena. On the other hand, there is circumstantial evidence that Mozart may have had hyperactivity, restlessness, sudden impulses, odd motor behaviors, echo/palilalia, love of nonsense words, and scatology, the latter being documented in autograph letters ("coprographia"). However, the evidence supporting the core features of GTS, i.e., motor and vocal tics, is rather inconsistent. Thus, GTS seems to be an implausible diagnosis in Mozart's medical history and completely unrelated to his undisputed musical genius.
Notice en format standard (ISO 2709)
Pour connaître la documentation sur le format Inist Standard.
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Format Inist (serveur)
NO : | FRANCIS 10-0064404 INIST |
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ET : | Famous people with Gilles de la Tourette syndrome? : The many faces of Gilles de la Tourette syndrome |
AU : | MONACO (Francesco); SERVO (Serena); EUGENIO CAVANNA (Andrea) |
AF : | Department of Neurology, Amedeo Avogadro University/Novara/Italie (1 aut., 2 aut.); Department of Neuropsychiatry, University of Birmingham and BSMHFT/Birmingham/Royaume-Uni (3 aut.); Sobell Department of Motor Neuroscience and Movement Disorders, Institute of Neurology, UCL/London/Royaume-Uni (3 aut.) |
DT : | Publication en série; Niveau analytique |
SO : | Journal of psychosomatic research; ISSN 0022-3999; Coden JPCRAT; Etats-Unis; Da. 2009; Vol. 67; No. 6; Pp. 485-490; Bibl. 41 ref. |
LA : | Anglais |
EA : | Virtually no neurologist nor psychiatrist today can be unaware of the diagnosis of Gilles de la Tourette syndrome (GTS). Although the eponymous description by Dr. Georges Gilles de la Tourette was published in 1885, familiarity with this syndrome has been achieved only recently. In this article, the two most renown accounts of exceptional individuals retrospectively diagnosed with GTS are critically analyzed: British lexicographer Samuel Johnson and Austrian musician Wolfgang Amadeus Mozart. In both cases, clinical descriptions have been retrieved from written documents predating Gilles de la Tourette's original publication. The case for Samuel Johnson having GTS is strong, mainly based on Boswell's extensive biographical account. Johnson was reported to have a great range of tics and compulsions, including involuntary utterances, repetitive ejaculations, and echo-phenomena. On the other hand, there is circumstantial evidence that Mozart may have had hyperactivity, restlessness, sudden impulses, odd motor behaviors, echo/palilalia, love of nonsense words, and scatology, the latter being documented in autograph letters ("coprographia"). However, the evidence supporting the core features of GTS, i.e., motor and vocal tics, is rather inconsistent. Thus, GTS seems to be an implausible diagnosis in Mozart's medical history and completely unrelated to his undisputed musical genius. |
CC : | 770D03M |
FD : | Syndrome de Gilles de la Tourette; Tic; Etude critique; Diagnostic; Rétrospective; Homme; Contrôle moteur; Cas Samuel Johnson; Cas Wolfgang Amadeus Mozart |
FG : | Pathologie de l'encéphale; Maladie dégénérative; Pathologie du système nerveux central; Pathologie du système nerveux; Mouvement involontaire; Trouble neurologique; Cognition; Motricité |
ED : | Gilles de la Tourette syndrome; Tic; Critical study; Diagnosis; Retrospective; Human; Motor control |
EG : | Cerebral disorder; Degenerative disease; Central nervous system disease; Nervous system diseases; Involuntary movement; Neurological disorder; Cognition; Motricity |
SD : | Gilles de la Tourette síndrome; Tic; Estudio crítico; Diagnóstico; Retrospectiva; Hombre; Control motor |
LO : | INIST-1382.354000171498900030 |
ID : | 10-0064404 |
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Francis:10-0064404Le document en format XML
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<front><div type="abstract" xml:lang="en">Virtually no neurologist nor psychiatrist today can be unaware of the diagnosis of Gilles de la Tourette syndrome (GTS). Although the eponymous description by Dr. Georges Gilles de la Tourette was published in 1885, familiarity with this syndrome has been achieved only recently. In this article, the two most renown accounts of exceptional individuals retrospectively diagnosed with GTS are critically analyzed: British lexicographer Samuel Johnson and Austrian musician Wolfgang Amadeus Mozart. In both cases, clinical descriptions have been retrieved from written documents predating Gilles de la Tourette's original publication. The case for Samuel Johnson having GTS is strong, mainly based on Boswell's extensive biographical account. Johnson was reported to have a great range of tics and compulsions, including involuntary utterances, repetitive ejaculations, and echo-phenomena. On the other hand, there is circumstantial evidence that Mozart may have had hyperactivity, restlessness, sudden impulses, odd motor behaviors, echo/palilalia, love of nonsense words, and scatology, the latter being documented in autograph letters ("coprographia"). However, the evidence supporting the core features of GTS, i.e., motor and vocal tics, is rather inconsistent. Thus, GTS seems to be an implausible diagnosis in Mozart's medical history and completely unrelated to his undisputed musical genius.</div>
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<server><NO>FRANCIS 10-0064404 INIST</NO>
<ET>Famous people with Gilles de la Tourette syndrome? : The many faces of Gilles de la Tourette syndrome</ET>
<AU>MONACO (Francesco); SERVO (Serena); EUGENIO CAVANNA (Andrea)</AU>
<AF>Department of Neurology, Amedeo Avogadro University/Novara/Italie (1 aut., 2 aut.); Department of Neuropsychiatry, University of Birmingham and BSMHFT/Birmingham/Royaume-Uni (3 aut.); Sobell Department of Motor Neuroscience and Movement Disorders, Institute of Neurology, UCL/London/Royaume-Uni (3 aut.)</AF>
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<EA>Virtually no neurologist nor psychiatrist today can be unaware of the diagnosis of Gilles de la Tourette syndrome (GTS). Although the eponymous description by Dr. Georges Gilles de la Tourette was published in 1885, familiarity with this syndrome has been achieved only recently. In this article, the two most renown accounts of exceptional individuals retrospectively diagnosed with GTS are critically analyzed: British lexicographer Samuel Johnson and Austrian musician Wolfgang Amadeus Mozart. In both cases, clinical descriptions have been retrieved from written documents predating Gilles de la Tourette's original publication. The case for Samuel Johnson having GTS is strong, mainly based on Boswell's extensive biographical account. Johnson was reported to have a great range of tics and compulsions, including involuntary utterances, repetitive ejaculations, and echo-phenomena. On the other hand, there is circumstantial evidence that Mozart may have had hyperactivity, restlessness, sudden impulses, odd motor behaviors, echo/palilalia, love of nonsense words, and scatology, the latter being documented in autograph letters ("coprographia"). However, the evidence supporting the core features of GTS, i.e., motor and vocal tics, is rather inconsistent. Thus, GTS seems to be an implausible diagnosis in Mozart's medical history and completely unrelated to his undisputed musical genius.</EA>
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